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Long John

Losing Every Thing Changes Everything

Big Brother Comics

Jul11
by DBethel on 11 July 2016

 

source: GoFundMe.com

source: GoFundMe.com

When I first moved to Sacramento, Eben Burgoon and I were about a year deep into making our first comic, Eben07.  At the start of the comic, we lived across the country from each other and couldn’t do small things like collaboration meetings or conventions, etc. Coincidentally, both Eben and I (and our respective significant others) moved to Sacramento at the same time, which allowed us to be much more collaborative in our creative endeavors.

The first public event we did was as part of a “Second Saturday” event in midtown Sacramento. “Second Saturday” happens––surprise––on the second Saturday of every month where the local businesses open up in the evening for a kind of open house and celebrates local entrepreneurs and artists, especially.

We were lucky enough to have a table set up outside of Big Brother Comics, where the owner, Kenny Russell, was incredibly gracious and encouraging to the point that I––in my natural circumspect manner––was almost put off by his enthusiasm. Over time, of course, I learned that Kenny just is that excited about local creators, and his shop in midtown became a veritable nerd haven in its eleven years of business. For Eben and myself, it was a place to learn the craft of building our brand and personalities. We were mainstays during Second Saturdays and a few Free Comic Book Days. We were even asked to be the on-air personalities at Big Brother Comics promoting Free Comic Book Day for the local Fox affiliate (Kenny is notoriously camera shy). Kenny and Big Brother Comics are an intrinsic part of that comic’s success and as my development as a creator and becoming a part of the local creative community. I can never downplay how important that little shop has been to me.

On July 3rd, Kenny’s shop caught fire. In its destruction, he has lost more than $10,000 in inventory and even more for each day his shop is unable to perform at normal capacity. It’s an incredibly unfair disaster to happen to such a good person and business.

I’m writing this as a plea more than anything else. Most of you don’t know him or his store, but you may know of a local business––wherever you are––that acts as a focal point for the community, even if it’s a small, niche portion. You may know of the local business that has gone out of its way to help other businesses and maybe even artists. If you know that business, know that Kenny’s Big Brother Comics is that business. If you don’t know that business, become a part of one by helping Kenny out. If you can find it in your ability to throw a few bucks his way through his GoFundMe page, the entire Sacramento comic book reader/maker community would appreciate it.

What’s frightening to think about is that this is the second local comic shop to catch fire. A few years ago, Ben Schwartz’s Empire’s Comics Vault caught fire at its previous location, forcing him to move and rebuild. And he did––and did it well––and I know that Kenny can, too, especially if we help soften the blow.

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Sketch Fridays #30 – Hellrider Jackie

Jul08
by DBethel on 8 July 2016
Sketch Fridays #29 - Hellrider Jackie

Sketch Fridays #30 – Hellrider Jackie

The last half of Chapter 2––Bird’s Eye––is well underway, with new pages going up before the end of the summer.

We’ll be seeing a lot of new stuff in the second half of Chapter 2, both artistically as well as narratively, but these developments help the story and character along as well as present cool visuals for the readers.

Long John has always been touted as being a “straight” western, meaning that it is about a dude in the Eastern Sierras dealing with his existential dilemmas without the aid of literal or figurative zombies, robots, aliens, or superpowers to fight and simultaneously represent his struggle. Such blending is something that creators like to do right now, smashing disparate genres together in one book. There’s nothing wrong with doing that––check out Five Ghosts, Goon, or Sixth Gun for excellent examples of genre mashups––but this story, I felt, wouldn’t gain anything from a supernatural bolstering.

However, the nice thing about comic books is that they can show us things that don’t exist in life, and I will be playing with the visual metaphor a bit more as Chapter 2 rolls forward and will continue throughout the book. I won’t get specific; I’ll save that for when it happens in the story, but I do like the idea of using the comics medium as a way to show augmented reality––using the medium to enhance what’s going on in the scene. We’ll be seeing new sides of Long John in the remaining fifteen-ish pages and the emotion I want to get across can be made tangible by a little enhancement and visual metaphor.

Before, I’ve talked about using the coloring as a means of abstract and emotional expression within the comic. As Long John descends into more challenges and introspection, I feel that such representation should expand beyond how things are colored. I don’t think we’ll be seeing a wingéd Jackie at any point, though. So, I save such diversions for a Sketch Friday post. If anything, making drawings like this can help with future cover ideas, which, I feel, can more fully bend the rules of the comic since they are meant to grab the attention of passersby as well as represent what waits inside.

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Sketch Fridays #29 – Moulting

Jun24
by DBethel on 24 June 2016
Sketch Fridays #29 - Moulting

Sketch Fridays #29 – Moulting

As I’m refining the dialogue for the second half of Chapter 2, I start thinking English-major thoughts that, ultimately, trip me up more than they possibly help by pondering things like thematics and archetypes and stuff like that.

Long John is ultimately about change––it’s in the tagline: “Losing Every Thing Changes Everything“––and Chapter 2 is where Long John first faces the major change that has occurred to him before Chapter 1 started. In between drawing, inking, and writing (not in order; it’s a recursive process), all the while aiming toward the end of Chapter 2, I distract myself by thinking of cover ideas.

I really enjoy covers that straddle the literal and metaphorical, which is really hard for me to do since I live so thoroughly in the former when it comes to drawing comics. I envy so artists who have a strong design sense that can construct not only beautiful, but meaningful, art for book covers. People like Becky Cloonan, Greg Capullo, Mike Mignola, and Sean Murphy are all not only able to select the perfect image to represent the content but are also able to speak to larger themes and ideas in striking and original ways.

For the drawing above I was inspired by the beautiful vignette-work of Melissa Pagluica. She crafts wonderful encapsulated scenes that show so much in relative simplicity, often in moments of peace and tranquility. I don’t think I captured that tone, but I feel like this pen sketch did catch the general tone that Long John has held, especially through Chapter 2.

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