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Long John

Losing Every Thing Changes Everything

Sketch Fridays #42 – Chapter 3 Preview

Aug04
by DBethel on 4 August 2017

Sketch Fridays #42 – Chapter 3 Preview (pencils and ink touch-ups: D. Bethel, Inks: Josh Tobey) Click to enlarge.

Mid-July was a fun month despite most of the time being spent in over 100-degree weather. As I mentioned on the website (in video format), July 15th was the inaugural Sac Indie Expo and it was a lot of fun. For me, the best part of it was that old friend and artist, Josh Tobey, came down to visit for the event (as well as to hang out) and it was a blast.

When we’re hanging out, Josh and I talk a lot. Like a lot. Mostly about art and creative goals and the like. He’s developing a comic project right now, so I’ve been doing my best to provide feedback and give encouragement at every turn because this project needs to happen (what I’ve seen so far is incredible). I remember at the show, we talked about Long John. I showed him what I’d done so far and some pages that weren’t yet inked. There are a few pages in the middle of the chapter that are basically just landscapes, and I mentioned how I was scared to death to ink them if only because I don’t feel fully confident enough to render them convincingly with brushes and pens. Give me faces and poses until the lights go out, I have no problem approaching them with the permanence of ink. But when it comes to natural settings, I still tense up, worried that I might get them wrong, somehow. I relayed those fears to Josh during one of our many conversations at the show, which guided things in a very interesting direction:

“Oh, man,” Josh said. “That’s the fun stuff to ink.”

“What.”

“Yeah, you don’t have to focus, really. Just filling in what needs to be filled in,” he said.

“Well, if that’s how you feel,” I said. “Why don’t you ink these pages, then?”

“I don’t know, man.”

“Why not?”

“I don’t want to mess with your style. You draw Long John very specifically,” Josh said.

“Well, then, I’ll ink him. You ink everything else,” I said.

“That sounds doable.”

I laughed it off. When we got home, we ended up watching a movie and just hanging out. But then Josh broke into the proceedings with a simple question.

“Hey, man. You want me to take a stab inking those pages?” he said.

“Are you serious?” I asked.

“Yeah, why not? It sounds like fun.”

Having learned to accept any help when offered, I bolted upstairs and grabbed the pages. We talked about what it should look like and went over the pencils a bit and then, for the first time in my life, I handed off my work for someone else to ink.

Though a bit tightened up later, this was basically what I handed Josh to ink. (click to enlarge)

I wasn’t scared to hand the pages over; I have complete faith in Josh’s abilities. I was worried that he would have to guess too much, that I hadn’t provided enough information or guidance and what I would get back would be Josh art and not an inked D. Bethel Long John page.

But the results look amazing. I came back about mid-way through and tightened up the inks on the horse and inked Long John, but with the rest he made exactly what I saw in my head (but better). Even though it looks like a skilled inker took up the brush and brought it to life (because one did), it’s still what I drew on the page. Since I ink my own stuff, I put down very loose pencils. What was comforting was to find that even my loose pencils can be enough to guide someone else with the inks. Albeit, someone who is very talented and has utmost confidence in his ability. I’m not saying I’m going to start divvying out inking duties, but it’s nice to know that, perhaps, that option remains open.

D. Bethel mostly inking Josh Tobey pencils of a medieval Katana & Venture adventure from 1995. We didn’t know official comic page sizes or anything, so it’s much wider than it should have been. The only time that I know of that we collaborated before.

More than anything, aside from a few instances in our youthful drawing days, Josh and I had never really made any art together. I shouldn’t be, but I was kind of surprised at how well we worked together. Less wanting to hire an inker, I now daydream a bit about not only making stories with Josh but specifically making art with him, which I had never really considered before.

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Interview with Finding Sacramento

Aug02
by DBethel on 2 August 2017

Click the image to listen to the interview.

In most places on the internet, I describe myself as “a simultaneous comicker and English teacher (doing his best to not screw up),” which is a frighteningly terse, but accurate, summary. Though that’s how I internalize my divided interests, when interacting with the world at large, I tend to be either one or the other. Generally, this makes sense; there isn’t much overlap between the two profiles aside from the fact that I do both. When at school, I think “drawing comics” is the fun fact people have memorized about me, so I can be distinguishable from others. When at cons or shows for Long John, “teaching English” is something that comes into conversation only when a potential patron asks if I make comics for a living. So, even I haven’t sewn a tight stitch between them. Even searching through this site, I’m sure you would only be able to find a few references to my day job.

To be honest, it’s a matter of persona or even cultural code-switching (as my academic profession calls it). While what I write at my podcast’s website, For All Intents and Purposes, exemplifies this attempt to smooth the seam between these two worlds pretty well, overall it is a difficult task to manage in a one-on-one conversation. I’m normally pretty shy and have learned that if I, for lack of a better word, take a moment to convince myself that––depending on the situation––I am a teacher or an independent comic creator, then that puts me in the right headspace to actually be conversational, engaging and, in extreme cases, charming.

I have to translate the quiet Dan Bethel into the “D. Bethel comicker” persona or, when at school, the “Professor Bethel” persona, when all I’m really doing is giving myself permission to be confident. From this description, it can seem that I’m just pretending to be someone else, which is not the case at all. It’s taking the time to recognize that I’m actually good at what I do and, in order to be functional, it is important for me to remember that. There are times at shows or in the classroom where I forget that and I get flustered, I stutter, I withdraw which, yes, may be the baseline Dan Bethel, but it’s not the “real” me. It is “a” me. A version of me. The one I’m always fighting against. The one that always holds me back.

However, tying the worlds of being a teacher and a comicker together is a goal I actively want to pursue even if it is a daunting task. I would say that the chances to try and do so––aside from producing written works for my own websites––are few. When being interviewed about my comic, it tends to just be about that world and the fact that I teach is something that comes up at the end to remind everybody that, yes, I am an amateur. But mostly the conversation is about comics and cartoons and movies and I do like that conversation a lot. But as is evident from this post so far, I relish at the chance to go deeper, to analyze, to make connections.

http://findingsacramento.com/index.php/2017/07/31/not-comic-book-creator-english-professor-dan-bethel/

At the beginning of June, I had the pleasure of being interviewed by Nathan Miller for his podcast, Finding Sacramento. His show attracted my attention because it’s different than a lot of other shows that interview creative types in that it doesn’t focus on nerdy, geeky stuff––which I love, don’t get me wrong, but I am also an academic and my interests within creativity extend beyond discussions of favorite X-Men stories or how DC movies are doing in comparison to Marvel’s.

Nathan’s usual guests are local business owners, entrepreneurs, and creatives outside of the nerdy-geeky realm; the linchpin that secures all these disparate guests is the city of Sacramento and how these people interact within it. It was through that lens that I really found my footing and I argue that as much time is spent talking about teaching in this interview as there is talk about the comic. This is an interview for people that don’t classify as “nerds” or “geeks” or fans of comics, though nerds and geeks can appreciate this interview, too.

I encourage everybody to click on the link above to listen to the interview through the Finding Sacramento website or download it through whatever podcasting service you use. Furthermore, I encourage everyone to listen through the archives of the show. Nathan is a sharp interviewer who does surprisingly thorough research which allows for substantive conversation instead of just superficial banter.

I’m glad that I get to add this interview to my archives because it’s a talk that I don’t think would otherwise have happened had I stuck to more traditional promotional avenues. Though I expected a thoughtful conversation, Nathan’s questions and his comfortable demeanor drove me to open up about things I haven’t really discussed before, but they go a long way to describe…well, everything. Listening to the result showed me that these different worlds don’t need stitching. It is not a quilt comprised of foreign fabrics. It is the depth of self-awareness and accepting (and exploiting) faults that makes many into one.

What holds everything together is something called “me.”

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D. Bethel Draws Long John #09

Jul28
by DBethel on 28 July 2017

After a few weeks where things got busy (and drawing got sparse because of it), I’m back at the table getting pages done. I’m actually well ahead of the page in the video and have been since I started uploading these for this chapter, so progress progresses, so to speak. For the few pages following this, however, there will be no videos as that felt too filled with spoilers to be comfortable showing them out of context. So, I’ll be trying to go back to some Sketch Friday drawings to make up for that.

I’m sure I’ve talked about this, but making videos of drawings mostly feels like a guessing game in terms of what people want. I’ve seen artists I like a lot put out drawing videos but the structure and format varies wildly aside from it’s a video showing someone draw.

I made a few videos with my previous comic where I would try to talk through the whole thing, speeding the process up between bits of interesting conversation (often leading to humorous moments). Recently, I have live-streamed some inking and tried to engage in conversation with live viewers. While very emboldening if a lot of people show up, it can be distracting and, I think, slows the process down which I really don’t need because I’m slow enough as it is.

My current format is sped-up inking with copyright-free music I made over the top. I’ve heard from some people that instead of the music they’d like to hear me talk about the drawing. Others said they’d like a real-time video with me drawing and talking or just silence. Most people have been really positive about the videos I’ve been putting out, but––maybe it’s the teacher side of me––I feel like they could be more useful for people who like drawing, are learning to draw, or like the comic itself.

What would you like to see in these videos? Please let me know in the comments of this post, commenting on the YouTube video, or e-mail longjohncomic@gmail.com with your two cents.

See you next week with…something, no doubt.

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